ASWAGII PRIESTESS HEALING 
Unique Shamanic Sacred Ritual Journey
Aswagii Priestess healing


An epic shamanic journey for soul retrieval, cord cutting, womb work, shadow work and rebirthing, to empower you to reclaim your sovereign and sacred divine feminine essence.

 

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The Aswagii Priestesses are galactic and middle earth.

They're Goddess, Shamanic, Priestess, Mystery, Ritual, Pagan, Myth and Magick.

They're Rebirth, Regeneration, Transformation.

They're Shadow work, Ancestral and Ancient, beyond space and time.

They're the awakening of your sacred power, the kundalini rising within.

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The drum is tribal, shamanic and primal, connecting us to the heartbeat of mother earth and the womb of our own mothers.

A portal to other realms.

The perfect medium for Aswagii Priestess Rituals. 

Usually associated with native american tribes, but its origins are even older than that, dating back to B.C and used by shamans and priestesses throughout many cultures.

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WESTMEADOWS -  MELBOURNE -  AUSTRALIA

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Traditional Drums

When Women Were the Drummers 

"Because drumming was recognised as an ancient source and symbol of the power of female technicians of the sacred, drumming was banned.
Henceforth divinity was to be exclusively masculine.
The suppression of women was directly linked to the suppression of the Goddess"


Layne Redmond
When the drummers were women

"You may not remember, but let me tell you this, someone in some future time will think of us"

Sappho, 7th century B.C , poet, composer, musician, teacher, Priestess of Aphrodite

Women are ordered not to speak in church, not even softly, nor may they sing or take part in the responses, but they should only be silent and pray to God.

Didascalia of the three hundred eighteen fathers. Circa A,D375

Christians are not allowed to teach their daughters singing, the playing of instruments or similar things because according to their religion, it is neither good or becoming.

Commandments of the fathers, superiors and masters. Circa A.D 576

"At the end, as at the beginning, stands the archetypal power of the divine feminine - The Goddess. She is our future as she was our past. With her drum in hand, playing her sacramental rhythms, women can once again take their place in the world as technicians of the sacred. In the pulse of my drum, in the beat of my heart, I erect an altar to her forever"

Layne Redmond
When the drummers were women